Wednesday, December 2, 2009
BEN & SAM 1st TRAILER
Director of Photography: Rain Yamson II
Monday, October 12, 2009
BEN & SAM REVEALED
I have always wanted to direct the “perfect” gay film… the perfect same sex love story that is. Boy meets Boy. Boy falls in love. They live happily ever after. I wanted to get out of the box in telling this story. Get out of the conventional pre-conceived notion and stereotype portrayal of Homosexuals in Cinema today.
LOVE in its very essence is the main reason of living. Love is stronger than death. When it strikes you… it strikes you, no explanations needed, no reasons at all. BEN & SAM takes us to a journey of unconditional love, friendship, self discovery and acceptance. The perfect love, at the wrong place, at the wrong time.
Is it too much for me to show that Homosexuals are just like Men and women? We get hurt. We struggle. We fight to survive. We fall in love. We feel pain. We even get lonely at night. And we dream of a happy ending to our so-called "perfect love story".
Tuesday, September 8, 2009
CASTING CALL FOR BEN & SAM
MARK SHANDII BACOLOD's 3rd Directorial Film will have an Open Audition on SEPTEMBER 11, 2009 - FRIDAY, from 1pm to 6pm.
Venue: POWER TIPS. 5TH LEVEL OF THE PODIUM. ADB AVENUE, ORTIGAS CENTER, MANDALUYONG CITY.
For inquiries: Please contact Shandii 0922-8742634, Archie 0919-6975254, or Elle 0920-9546100.
Ben & Sam Storyline: http://shandiijossa.blogsp
1) BEN
* 18 to 23 years old
* Ben is the Captain ball of his basketball team. He is very athletic. Handsome. "Crush ng Bayan"/Campus Heartthrob. Undeniably sexy. Charming. Super rich - he drives his own car and very popular.
2) SAM
* 18 to 23 years old
* Sam is the artistic type of guy. Intelligent. Charming. Calm. Articulate.
3) GEORGE
* 18 to 23 years old
* George is the homophobic bestfriend. Envious, Cold, Boastful.
* Peg: Angelic face but very cunning. Has strong eyes.
For actors auditioning for this film (except for George), please bring plain white undershirt and underwear.
Sunday, September 6, 2009
BEN & SAM, 2009.
Tuesday, September 1, 2009
DIREK MARK SHANDII BACOLOD, ENFANT TERIBBLE NG PHILIPPINE CINEMA
Monday, August 31, 2009
Lance Raymundo wants viewers to focus on ‘Fidel’ storyline
Lance Raymundo wants viewers to focus on ‘Fidel’ storyline
Although he is aware that some people might watch his forthcoming indie film “Fidel” for the rape scene between two men, actor Lance Raymundo said its thrust is more on the problems many Overseas Filipino Workers (OFW) encounter abroad.
“I hope the Department of Foreign Affairs (POEA) and the Philippine Overseas Employment Administration (POEA) would have more programs to educate Filipinos about living abroad so that they don’t walk around naïve and get themselves in trouble while they are there,” he said just before the Standing Room Only “Fidel” press screening held at the AFP Theater last Aug. 28.
“Fidel” tells the story of an OFW who is raped by his employer. Enraged with what happened, Fidel kills the employer and lands himself on death row.
Lance reiterated that rape not only happens to females, but males, too.
“When you’re sexually violated whether by someone of the same or the opposite sex, that is rape,” he said.
“As a straight male, I could empathize with my character because I wouldn’t want to be touched, let alone raped, by anyone. Sex is a sacred thing. Before engaging in such, consent between partners is a must.”
The actor lauded “Fidel” writer Charlotte Dianco and director Shandii Bacolod for explaining to him in depth, the range of emotions a male rape victim goes through which Lance was able to manifest in his portrayal of the role.
“Vigilant at thorough sila [Dianco, Bacolod] mag-research kaya naintindihan ko kung ano yung kailangan kong gawin sa pelikula,” said Lance. “I also got to interview people who have either been raped or know people who have gone through the ordeal.”
“I am happy that in this film, I didn’t have to do things that don’t exist. Lahat dito sa ‘Fidel,’ pwede talagang mangyari sa totoong buhay.”
Lance has his fingers crossed for “Fidel” to make it to this year’s Cinemanila festival as well as to film festivals abroad. But even if it doesn’t, he said it is enough if the film would open the eyes of OFWs to the potential dangers ahead of them so they could prevent these from happening.
“Also, for the concerned government agencies would extend the same protection and compassion to male rape victims as they do with female ones,” Lance said.
The people behind Piperstorm Pictures & Periwinkle Entertainment Production which bankrolled “Fidel” are finalizing a deal for its commercial release in local theaters. They also have been getting some feelers from foreign film festival organizers who are intrigued by the film’s touchy subject.
His biggest role to death, “Fidel” comes in the heels of Cinemalaya finalist “Ang Nerseri” in which Lance played one of the lead roles.
Other actors in “Fidel” are Maria Isabel Lopez; Marife Necesito; Andrea del Rosario; Snooky Serna; Jao Mapa; Justin de Leon; RJ Revilla; Alex Medina; Ana-Abad Santos; Von Arroyo; Jonathan Neri; Mosang; Roder; Fonz Deza; Jon Hall; Nonoy Froilan; Cheryy Mae Canton; IC Mendoza and Martin de la Paz.
Thursday, August 20, 2009
FIDEL Theatrical Trailer
How far would a man go to defend his dignity?
This is not just another sad story of an OFW.
This is the unspoken truth about the plight of Filipino males in the Middle East.
A Filipino worker is on the death row for killing his Arab employer. Because of a lady reporter who is bent on doing a full story about him, government officials are now trying to help him. But Fidel, the accused, doesn't seem to cooperate.
Filipino trial lawyers are asking him to say it was self-defense but Fidel insisted that he killed the Arab on purpose, out of revenge. He seemed withdrawn and full of hatred, contrary to what Vega learned about his past- a boy-next-door type of person who grew up with a loving family. Fidel was also the president of his religious class in high school and was very active in socio-civic projects in college. His profile doesn't fit the picture of a killer- and yet he admitted the crime.
Sister Lourdes, the nun who belongs to an NGO who helps OFWs started talking to him regularly. Soon Fidel opens up to Sister Lourdes and shared his painful experience in the hands of his employer. He was raped.
The revelation added to Sister Lourdes' desire to help Fidel. She now understands why Fidel would rather be called a killer because it is such a shame for a man to be raped by another man. And Sister Lourdes discovers that Fidel is not alone- because there are a lot of Filipino males who are being raped but are too embarrassed to file a complaint.
With the connection of Father Allan, Sister Lourdes and Vega started a massive media campaign to free Fidel. This irritated Fidel because he doesn't want to be freed. He feels like his life is already over. And the day he killed his employer was the day he accepted his fate- that he will also be sentenced to death.
Wednesday, August 19, 2009
5 MINUTES
5th Titus Brandsma Indie Short Film Festival pays tribute to screenwriter Pablo S. Gomez
On August 22, 2009, the 5th Titus Brandsma Indie Short Film Festival will celebrate and showcase the talents of Filipino filmmakers and a special tribute dedicated to one of Philippine’s pride in popular literary world.
The pelikula@TitusBrandsma recognizes the contributions made by the seasoned, well- respected and acclaimed, and yet humble “komiks,” Radio, TV and film writer--- Pablo Salonga Gomez. Mang Pablo as he is fondly called has a writing career that spanned for more than six decades now. He started his writing career when he was still in high school to supplement his allowance as the family cannot cope with the demands of school at that time.
His break came in the 1950’s when he started writing stories and screenplays for big studios like Sampaguita, Premiere, LVN, Lea, FPJ Production, Tagalog Ilang- Ilang, Emperor Films, Champion Pictures, Maharlika Pictures and the like. Some of his memorable stories that have been made into films are: Hilda, Eva Fonda, Kampanerang Kuba, Alupihang Dagat, Hindi pa Tapos ang Laban, Komiks, Kurdapya, Susanang Daldal, Apat na Taga, Pasan Ko ang Daigdig, Kampana sa Sta. Quiteria, Ang Pagbabalik ng Lawin, Hindi ka na Sisikatan ng Araw, Mga Anghel na Walang Langit, Magdusa Ka, Hiram na Mukha, Mahal Saan Ka Nanggaling Kagabi?, Mahal Ginagabi Ka Na Naman, Kahit Konting Pagtingin, Probinsyano, and many more.
As a tribute, Gomez' Magdusa Ka (1986) will be screened.
Synopsis: Dina was the daughter of Dindo and his former maid Nida. Aware of this fact the girl constantly dreamt that one day she would be recognized by his father and would enjoy all the comforts of his moneyed lifestyle. The day finally came when she moved into the mansion amidst much objection from her irate mother. It was a life to which she found difficulty in adjusting but being young and beautiful, she was easily accepted by her new friends. The problem was, she was left pregnant by her former boyfriend from the slums. Turned away by her paternal grandmother from her new home, she was left to fend for herself since her mother also refused to take her back.
It will also feature the following films by new filmmakers:
5 Minutes (14 minutes & 38 seconds) a film by Mark Shandii Bacolod
Ang Bakasyon ni Can-Can (19 minutes & 50 seconds) a film by Jerome Zamora
Bamboo Lake (20 minutes) a film by Donnie Sacueza
Batang Pinangga (17 minutes) a film by Michael Condes
Musa (The Muse) (20 minutes & 14 seconds) a film by Dexter Cayanes
Pogi (17 minutes) a film by Eros Arbilon;
Surreal Random MMS Texts Para Ed Ina, Agui, Tan Kaamong Ya Makakailiw Ed Sika: Gurgurlis
Ed Banua (15 minutes) a film by Christopher Gozum
Technophilia (6 minutes & 37 seconds) a film by Rianne Hill Soriano
The annual Titus Brandsma Indie Short Film Festival is from 1:00 to 8:00 PM to be held at the Titus Brandsma Center, 24 Acacia St., New Manila, Quezon City.
The event will be participated in by professional and emerging filmmakers from different groups, communities and schools.
The aim of the Pinoy Indies filmfest is to offer the budding filmmakers a venue to showcase their work and the same time to promote arts and culture to the common tao as it is often perceived as “elitist.” However, the filmfest is not limited to amateur filmmakers – this is open to all.
Monday, August 17, 2009
MAXIMUS & minimus
Cinema One Originals 2009 has begun. The 5 Finalists are Bala-Bala by Melvin Brito, Cyclone Loop by Richard Legaspi, Wanted:Border by Ray Gibraltar, Si Baning, Si Maymay, at Ang Asong si Bobo by Milo Tolentino and Maximus and Minimus by Nap Jamir II.
Jay Aquitania willingly suffers bumps and bruises
Jay Aquitania willingly suffers bumps and bruises
By CHARLOTTE DIANCO
July 2, 2009, 8:32pm
Jay Aquitania is the kind of actor who doesn’t mind suffering in order to give justice to his role.
In an interview granted exclusively to Manila Bulletin Online, Jay said that he willingly sustained real bumps and bruises in doing a fight scene for his latest project, “5 Minutes.”
“Napaka-challenging po kasi ng role ko at hindi naman po ako sanay pa sa mga fight scenes. Kahit may fight instructor pa, nahirapan talaga ako,” he said.
The actor said that while he’s more comfortable doing drama, he had a hard time doing scenes in the film that required crying, because these were shot the week his manager, the late Douglas Quijano, died.
“I think naubos na yata yung luha niya sa kaiiyak nung mamatay si Tito Douglas,” said “5 Minutes” director Mark Shandii Bacolod.
Nevertheless, Bacolod is all praises for Jay’s dedication to the project. The actor once had to travel Subic-Las Pinas- Subic to fulfill his commitments.
Jay and direk Mark met last year when they worked together in “Concerto”, a finalist in the 2008 Cinemalaya Film Festival. Other stars in “5 Minutes” are Lara Morena and Vince Saldana.
BITCHEN (a collection of twisted poetry for the bitch in you)
Part 1: HEY BITCH! Hey bitch! What's your name? I heard you're walking around like a Dame. You talk too much. You're so vain. You think your name's in flame! I heard what you did with my friend. Bitching around. Is that your trend? I warn you bitch to stay away! Make sure you're not around. Not in my way! You are a frigid bitch, a wicked witch! Stop back-stabbing you worthless leech! You look stupid, you have empty skull! Your brain's not there. You're a voodoo doll! So you have many boyfriends? That's what i heard. But you ain't got real friends, now that sounds weird! You're a nobody. A waste of time. No worth at all. A tasteless wine! Look at your outfit, you look annoying! A walking Christmas tree, you're so boring! Your nose is flat. You need a lipstick! With your face, all you need is a broomstick! Hey sinister whore, i warn you! Don't mess with me because i'm bitchier that you! You stink like hell! You look so lame! You better remember me. Don't forget my name!
ANG PINAKAMAHABANG ONE NIGHT STAND
UNANG TAGPO: UNANG GABI
Dito magsisimula ang lahat.
Ito ang ‘di inaasahang pagkikita.
Kung saan ang mga bagay-bagay ay walang kabuluhan.
Kung saan ang malamig na gabi ay mananatili paring malamig na gabi.
Nakakatakot ang unang pagtatagpo.
Maraya.
Subalit dito rin matatapos ang lahat.
Kung saan bawat tinginan ay magkakaroon na ng kahulugan.
Ang bawat galaw ay mayroon ng kabuluhan.
Makamandag ang bawat titig.
Parang lason na ngayon ang halimuyak ng kanyang katawan.
Tatagos sa mga buto mo ang libidong ngayo’y nagsusumigaw na’t gusto ng lumaya.
Madadaig ka ng iyong pagnanasa.
Tukso ang bawat paggalaw ng kanyang labi.
Sumpa ang bawat pagsanggi ng inyong mga mata.
At sa paglalim ng gabi, magaganap ang hindi inaasahan.
Magdidikit ang inyong mga labi.
Maglalapat ang bawat parte ng inyong katawan.
Magmimistulang apoy kayong dalawa.
Nakakapaso.
Sa maikling panahon, makakamtan mo ang pang-walang hanggang kasarapan.
At magigising kang nabahiran na ng sumpa ang iyong kaluluwa.
Subalit ang kaibahan ngayon… hindi ka mag-isa.
May kasama ka.
Ito ang natatanging sandali kung saan mapapa-pikit ka at mataimtim na hihiling kay Bathala…
Na ang gabing ito ay maging higit sa anumang gabi ng buhay mo.
Ang dating malamig na gabi ay nag-aalab na.
Ito ang tinatawag nilang ONE NIGHT STAND.
ANG MGA SUS
Sa mga darating na araw, mag-iiba ang pag-ikot ng iyong mundo.
Magbabago ang lahat.
Pakuwari mo ngayo’y musmos uli ang iyong puso.
Kakaiba ang pagtibok.
Mabilis.
Tuwing iipikit mo ang iyong mga mata’y nakikita mo ang mukha niya.
Naririnig mo siyang umuungol sa iyong mga tenga.
Naaamoy mo ang halimuyak ng bawat patak ng pawis sa katawan niya.
Madadaig ka ng matinding pagnanasa.
Ng masalimuot na paghahanap.
Maghihintay ka.
Ito ang Sumpa ng di-malilimutang gabi ng buhay mo.
Mag-iiba ang iyong pagnanais.
Maghahangad ka ng higit pa.
Aasa ka.
At aasa pa…
HULING TAGPO: HULING GABI
At sa inyong muling pagkikita’y masusubukan ang lahat.
Marahil ito ang pinakamasayang araw mo.
Sa wakas, tapos na ang paghihintay.
Nasa harapan mo na siya.
Nasa harapan mo na ang gamot sa Sumpa.
Ang pinagmulan din mismo ng Sumpa.
Sa puntong ito matatapos ang kahibangan mo.
Matitigil ang pagnanasa mo.
Mamumulat ka sa katotohanan.
Masakit.
Masalimuot.
Matabang.
Ito ang katotohanan ng isang gabing kaligayahan.
Ito ang sumpang bumabalot sa iyo.
Magiging kasing lamig muli ng gabi ang puso mo.
Dahil umasa ka.
Naghintay gayung alam mong wala namang darating.
Ang isang One Night Stand.
Tulad ng iba at marami pang One Night Stand sa mundo.
Ay mananatiling One Night Stand lamang.
Ordinaryo.
Walang kabuluhan.
Walang kahulugan.
Ito ang katotohanang hindi mo kailanman matatakasan.
Ito ang pinakamahabang gabi ng buhay mo.